https://setarehfatehi.com ستاره Tue, 15 Apr 2025 17:15:22 +0000 https://setarehfatehi.com en https://setarehfatehi.com/setareh-fatehi Wed, 12 Jan 2022 08:47:58 +0000 ستاره https://setarehfatehi.com/setareh-fatehi &nbsp; &nbsp; SETAREH FATEHI https://setarehfatehi.com/the-We-that-hosts-the-i-1 Tue, 15 Apr 2025 17:15:22 +0000 ستاره https://setarehfatehi.com/the-We-that-hosts-the-i-1 the We that hosts the (i)with Raoof Dashti, Shahrooz Mohammad, Hikaru Morimoto &amp; Ogutu Muraya How can We host remote bodies that are dealing with the debilitating effect of limiting the notion of ‘presence’ to its colonial definition-where the differences between (i) and the other was used to legitimise the existence of the borders that have been brutally separating them. 2024 Performance COLLISIONS 24: CELEBRATION! A Festival of Practice Research 25 – 27 SEPTEMBER Hosted by Central’s Research Degrees Programme <img width="2940" height="1912" width_o="2940" height_o="1912" data-src="https://freight.cargo.site/t/original/i/cd11da9a9fa88a4de4e932f43d3ee7482172ebfb815f546a4c9cd6532ce4d9ac/-.png" data-mid="229834328" border="0" src="https://freight.cargo.site/w/1000/i/cd11da9a9fa88a4de4e932f43d3ee7482172ebfb815f546a4c9cd6532ce4d9ac/-.png" /> <img width="1258" height="954" width_o="1258" height_o="954" data-src="https://freight.cargo.site/t/original/i/e4d1ca1c6ed95fbbd8143aa2a32ad231f854eca41e71f5a2993140633d114528/Screenshot-2024-12-14-at-11.31.20.png" data-mid="229834306" border="0" src="https://freight.cargo.site/w/1000/i/e4d1ca1c6ed95fbbd8143aa2a32ad231f854eca41e71f5a2993140633d114528/Screenshot-2024-12-14-at-11.31.20.png" /><img width="1618" height="556" width_o="1618" height_o="556" data-src="https://freight.cargo.site/t/original/i/75d48f16886b307051b0258a1dba6207037619ff7777644ae7a8bf94b6531e2d/Screenshot-2025-04-15-at-20.28.47.png" data-mid="229833790" border="0" src="https://freight.cargo.site/w/1000/i/75d48f16886b307051b0258a1dba6207037619ff7777644ae7a8bf94b6531e2d/Screenshot-2025-04-15-at-20.28.47.png" /> https://setarehfatehi.com/i-your-story-of-me Fri, 03 Nov 2023 12:16:50 +0000 ستاره https://setarehfatehi.com/i-your-story-of-me (i) your story of me with Aylar Dastgiri, &nbsp;Su Mi Jang, Olivia Reschofsky, Katerina Bakatsaki, Pau(la) Chaves Bonilla، Shahrzad Irannejad &amp; Ogutu Muraya &nbsp; (i) your story of me is a world made by many: setareh fatehi in a dialogue with milan vukasinovic and nilufer sasmazer initiated the invitation for Su Mi Jang, Olivia Reschofsky, Katerina Bakatsaki, Pau(la) Chaves Bonilla, Aylar Dastgiri, Shahrzad Irannejad and Ogutu Muraya to tell the story of one to the other, through dance, painting and words in and around their birth-places. The story travelled from Ui-dong to Crete to Ebes to Amsterdam to Tehran and Malindi. more about the artists <img width="950" height="1764" width_o="950" height_o="1764" data-src="https://freight.cargo.site/t/original/i/e5f6dd73b8e48e850b9c33475d3d88b78742c7cf67502c667f87ab75cfaaca52/Screenshot-2025-04-15-at-21.16.00.png" data-mid="229835103" border="0" src="https://freight.cargo.site/w/950/i/e5f6dd73b8e48e850b9c33475d3d88b78742c7cf67502c667f87ab75cfaaca52/Screenshot-2025-04-15-at-21.16.00.png" />...Once upon a time There is And have been And will maybe be the understanding, the question, the reassurance A time upon once there might only be my stories of you And your stories of (i) ... 2023 InstallationStory World exhibition in Depo Gallery Istanbulhttps://retracingconnections.org/exhibition/ <img width="2228" height="1476" width_o="2228" height_o="1476" data-src="https://freight.cargo.site/t/original/i/9299b57682a257a2fc3e7472b2adecef10b2cd61f48b3c1c52b5af806ccc70bc/Screenshot-2023-11-03-at-13.19.56.png" data-mid="195754605" border="0" src="https://freight.cargo.site/w/1000/i/9299b57682a257a2fc3e7472b2adecef10b2cd61f48b3c1c52b5af806ccc70bc/Screenshot-2023-11-03-at-13.19.56.png" />The installation “(i) your story of me” looks at dance, video and painting as languages that tell and preserve stories that might not have been told otherwise. By playing a kind of word-of-mouth game, the process paralles story telling in the culture of medieval translations within manuscript traditions, where no stable version of the text exists. The first story in this chain is inspired by the idea of longing for a land/scape of a motherland. The story travels from Ui-dong to Crete to Ebes to Amsterdam to Tehran to Malindi to Istanbul. It is passed from the first teller to the second, before traveling further down the line to be re-danced, re-painted and re-told. The work title (i) your story of me suggests the presence of the other as a core of the story of the self. The work sees dance as a landscape of languages that communicates through familiar experiences acknowledging the distance between places and contexts. As such, it explores the possibilities and impossibilities of linguistic and narrative expression. <img width="772" height="772" width_o="772" height_o="772" data-src="https://freight.cargo.site/t/original/i/e937fe59b064011e5b565b4148ec5be5c204278f39fef278ec91c14c8772fb4b/flyer.jpeg" data-mid="198078202" border="0" data-scale="100" src="https://freight.cargo.site/w/772/i/e937fe59b064011e5b565b4148ec5be5c204278f39fef278ec91c14c8772fb4b/flyer.jpeg" /> <img width="1884" height="1784" width_o="1884" height_o="1784" data-src="https://freight.cargo.site/t/original/i/aaf69d0e5ef396386c8952f682c61e65038c2db8dd024b4e1abe88974508b5ec/Screenshot-2025-04-15-at-21.16.28.png" data-mid="229835104" border="0" src="https://freight.cargo.site/w/1000/i/aaf69d0e5ef396386c8952f682c61e65038c2db8dd024b4e1abe88974508b5ec/Screenshot-2025-04-15-at-21.16.28.png" /><img width="834" height="1220" width_o="834" height_o="1220" data-src="https://freight.cargo.site/t/original/i/e361c57ca055eda0152c4a845c4626bc2ae220489f272fab60ffc74b355d211f/Screenshot-2025-04-15-at-21.16.51.png" data-mid="229835105" border="0" src="https://freight.cargo.site/w/834/i/e361c57ca055eda0152c4a845c4626bc2ae220489f272fab60ffc74b355d211f/Screenshot-2025-04-15-at-21.16.51.png" /><img width="4000" height="2248" width_o="4000" height_o="2248" data-src="https://freight.cargo.site/t/original/i/68ed2deaa4b1ce88db28927d67391dadfe90f3f8c44e59fe8cb4a3788c14e670/IMG_20231201_111731.jpg" data-mid="229835020" border="0" src="https://freight.cargo.site/w/1000/i/68ed2deaa4b1ce88db28927d67391dadfe90f3f8c44e59fe8cb4a3788c14e670/IMG_20231201_111731.jpg" /><img width="1090" height="1728" width_o="1090" height_o="1728" data-src="https://freight.cargo.site/t/original/i/34252822e00148ad088358a40b6251c27ac4f84320a35851fbef5ae4ae16cabe/Screenshot-2025-04-15-at-21.17.19.png" data-mid="229835106" border="0" src="https://freight.cargo.site/w/1000/i/34252822e00148ad088358a40b6251c27ac4f84320a35851fbef5ae4ae16cabe/Screenshot-2025-04-15-at-21.17.19.png" /> https://setarehfatehi.com/Parallaxing-i Wed, 12 Jan 2022 08:47:59 +0000 ستاره https://setarehfatehi.com/Parallaxing-i Parallaxing (i)WALKING&nbsp; essay-workshop This walk is an essay-workshop that introduces my current research-practice parallaxing (i). The key question here is : “where my body should be or could be”. I am asking that as a dual citizen of Iran and the Netherlands in the past decade of my life. Being skeptical of the mandate of physical presence within the legacy of the knowledge making institutions, I am wondering what defines the border of my body, my presence and subjectivity. In a series of body swapping collaborations with various artists in between the two contexts that I am living, we have tried to use the multiplicity of our presences, addressing issues around remote hosting, economical discrepancies, institutional ableism and digital dualism. In this essay in collaboration with Katerina Bakatsaki, Ogutu Muraya, Shahrzad Irannejad among others we quote Natascha S.Haghighian, Shahram Khosravi, Afsaneh Najmabadi, Elizabeth Povinell, Sher Doruff and Legacy Russels in their desire for staying CONNECTed and their relation to body as a fluid and opaque entity. https://vimeo.com/manage/videos/776107226/f9fadb50cb 2022 <img width="1064" height="2247" width_o="1064" height_o="2247" data-src="https://freight.cargo.site/t/original/i/b4c990626543ab6cdba4888b65e888194b092a64449e3bbfb6c6b5c6044ee0b6/Screenshot_2020-06-25-12-32-12-000_com.google.android.apps.docs.jpg" data-mid="131076512" border="0" src="https://freight.cargo.site/w/1000/i/b4c990626543ab6cdba4888b65e888194b092a64449e3bbfb6c6b5c6044ee0b6/Screenshot_2020-06-25-12-32-12-000_com.google.android.apps.docs.jpg" /> https://setarehfatehi.com/TAMASHA-hosting-u-hosting-i Mon, 28 Nov 2022 12:54:52 +0000 ستاره https://setarehfatehi.com/TAMASHA-hosting-u-hosting-i TAMASHA : hosting u hosting (i)&nbsp;with Katerina Bakatsaki Reyhaneh Mehrad and Saina Salarian digital image painting by Aylar Dastgiri music stream by ROW92 2022 Video-Essay FLAM festival of live art AmsterdamThanks to FLAM crew, Aida Alizadeh and Dorsa Jalalihttps://vimeo.com/manage/videos/714022608/e3d7b88b46 TAMASHA is a temporary title for a long term dialogue that katerina and setareh had in the past years. This dialogue is nomadic and wanders through places, contexts and articulations.&nbsp; <img src="https://lh6.googleusercontent.com/pvn_hHVTGTEnaIpHbalJfTfA0yqfOTlLKfmlvLgGzGxnQv6A-SzDs3MxLvmIbt1wssuMeHsE1uwOHXiH0wUmwn7WFpSq7cLlEcx2GydhXgGIrAahE83yMSoPQSY_0WLh006EyayXBF0MjaojpKi4cj0A183CtYNpJVAiFfPtSFOBg2txkTtV_QHpvbjW" width="514" height="509" style="width: 514px; height: 509px;"> As a practice TAMASHA engages with wondering, walking and gazing at/in a view, where while moving and framing, image is seen in its ephemerality and what is left out of the frame is imagined constantly. TAMASHA invites multiple gazes and welcomes screens. We propose skin as a surface space as a skin screen as a space. reyhan is holding the mirror in the park kat is holding the beamer in the gallery setareh is holding the phone in the park saina is holding the tablet in the gallery row is playing from her studio in tehran ayda is taking photos in the gallery dorsa is recording the zoom call in setareh’s house&nbsp; <img width="2880" height="808" width_o="2880" height_o="808" data-src="https://freight.cargo.site/t/original/i/37bc0fbad453a5b994c0c724afcf3df18bb043c63fb1380da4474b686afc0c72/Screenshot-2022-11-28-at-17.00.08.png" data-mid="160370086" border="0" src="https://freight.cargo.site/w/1000/i/37bc0fbad453a5b994c0c724afcf3df18bb043c63fb1380da4474b686afc0c72/Screenshot-2022-11-28-at-17.00.08.png" /><img width="2876" height="820" width_o="2876" height_o="820" data-src="https://freight.cargo.site/t/original/i/fb3d8276d7056babedec1a07f6ee1f471d21143066c309492c15ecee87d54ac3/Screenshot-2022-11-28-at-16.35.54.png" data-mid="160368407" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/fb3d8276d7056babedec1a07f6ee1f471d21143066c309492c15ecee87d54ac3/Screenshot-2022-11-28-at-16.35.54.png" /> https://setarehfatehi.com/i-disabled-IRL Wed, 12 Jan 2022 08:47:59 +0000 ستاره https://setarehfatehi.com/i-disabled-IRL (i) disabled IRL with Babak Amroonee Hosseini &amp; Shahrzad Irannejad Abstract: setareh fatehi is an artist/choreographer based in Tehran and Amsterdam (pronoun: او). Creating trans-local collaborative spaces underlies setareh’s research-practice parallaxed(i). setareh thinks through the specificity of the body-as-presence, in relation to body-as-soma and body-as-image. او has been making conditions to create “remote movements” with “absent” bodies that are cut off from the lived experiences of one another on either side of geo-(economical and political) borders. In the past year setareh’s practice developed into researching remote-hosting mechanisms in which different hosts were invited to physically replace setareh’s body while hosting او online during workshops, lectures and other events that او has been invited to. او is problematising the urge for physical togetherness (IRL: in real life) in the discourses around internationalization and diversity specifically within the artistic and academic institutions that او has been a part of. In a performance-lecture (i) the disabled IRL as a part of the coming CME conference, setareh will be exploring the notion of ableism in the context of international gatherings and remotecommunication. The technologies that pose as a bridge between distanced bodies, embedded in the devices and the behavioral habits of the ones handling them, can mask the cognitive distance between (i) and the Other and create an illusion of “them being the same”. Can discourses around ableism bring a light to this issue from another angle? Might it be that the bodies invited to the international and diverse dream of global thinking are getting disabled by the institutions that are only inviting their body and not the context that they are living in? 2022Video-Essay IRSSC Closing Conference Orient Institute IstanbulThanks to Mehdi Torkaman, Annick Kelizen, Fatih Gençkal, Melike Şahinol, Burak Taşdizen <img width="418" height="598" width_o="418" height_o="598" data-src="https://freight.cargo.site/t/original/i/42ca46c591ee9543b06ce1155879feb5272aa452f64ada9cfd08cb9eca2d885a/Screenshot-2022-01-22-at-21.58.53.png" data-mid="131076306" border="0" src="https://freight.cargo.site/w/418/i/42ca46c591ee9543b06ce1155879feb5272aa452f64ada9cfd08cb9eca2d885a/Screenshot-2022-01-22-at-21.58.53.png" />https://vimeo.com/676660937/004a690812 https://setarehfatehi.com/23444671 Wed, 12 Jan 2022 08:47:59 +0000 ستاره https://setarehfatehi.com/23444671 :))&nbsp; احول شناسی در زوریخStrabismicology in Zürich :D with Mahrokh Danaei با ماهرخ دانایی 2021 at the same time in Tehran and Zürich attending a writing workshop at PEERs program in&nbsp;Zürich University of the Arts (ZHDK) by Efva Lilja, Macklin Kowal and Yvonne Schmidt <img width="2340" height="1080" width_o="2340" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d0ef0042fde9c84b600035ccc041c35a9c45355a3c69fd875df45aa233b09746/Screenshot_2020-07-14-12-29-51-092_com.whatsapp.jpg" data-mid="131383233" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d0ef0042fde9c84b600035ccc041c35a9c45355a3c69fd875df45aa233b09746/Screenshot_2020-07-14-12-29-51-092_com.whatsapp.jpg" /> Day 19: Imagining the&nbsp; table of content parallaxed (i): hosting the (oil) ghosts Introduction Ch 1. a very old story of&nbsp; bodiless (i) Ch 2. Dance of Pointy Clouds : Ghosts in the backstage Ch 3. swimاو: (i) and the avatars Ch 4. Atlasi : flowers and fathers, oil and mothers Ch 5. Multitudes of (i) : where should my body be? Ch 6. Tamasha : economy of the gaze, parallaxed lenses Ch 7.&nbsp; (i) a diasporic parallax : nomadic or diasporic or neither Ch 8.&nbsp; (i) a (...)/abled body : migration and ableism Conclusion References <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b3130e130f670abdd30d6553a9dc571970c21e79dcd9d081848e882359020346/Screenshot-2021-11-05-at-18.29.03.png" data-mid="132092592" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/b3130e130f670abdd30d6553a9dc571970c21e79dcd9d081848e882359020346/Screenshot-2021-11-05-at-18.29.03.png" /><img width="4000" height="2248" width_o="4000" height_o="2248" data-src="https://freight.cargo.site/t/original/i/0d31b77262ddb1d05765311d4af6646a24bc51590b07e766c632e424842477c4/IMG_20211105_164947.jpg" data-mid="132092589" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/0d31b77262ddb1d05765311d4af6646a24bc51590b07e766c632e424842477c4/IMG_20211105_164947.jpg" />Day 23. To peers Hello all ... I just wanted to let you know about how I am going to be present in the coming workshop. Firstly, thank you all for helping me stay in my practice during this program, it is very valuable for me to be able to do that and please do not hesitate to tell me if you have any difficulty caused by it. I hope I'm not taking too much space. Now I'm gonna tell you a short story, bare with me:) For this workshop, when I almost lost all my hope for having a host that could add to my previous experiences (with Kamran, Katerina and Ogutu), when I gave up on the hope to have my sister (Tara) or another friend-colleague (Clara Saito) to host me in Zurich, I got lucky to find out that Mahrokh is traveling to Switzerland. She is many things in my life, among which is the mother of my dear friend and colleague (Shahrzad Irannnejad) and an important supporter of my work in the context of Tehran. Since the summer of 2018 and with her encouragement and following up, we have formed a dancing group for mothers of my friends. Since then and specifically after covid pandemic, we gathered online, every week, dancing for 2 hours where I shared one movement practice or thought experiment with the group. As Mahrokh traveled from Tehran to Geneva to spend some time with her son (Farhad), I took my chance to invite her to my research and asked if she would like to be my host in Zurich. She said yes, and if no unexpected thing happens, she will travel to Zurich to be there with you and to host me on her devices. I will of course be online and be the speaker/translator between the two of us (I assume).Her accommodation and travel is taken care of and I will tell her all I know about Toni and our group and the city to make her feel more comfortable. Mahrokh's english is not as strong as her hiking and biking skills but I'm sure we (she and I) will manage to have a vivid presence in the group. The end of the story <img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/6fe0f07cb0869812542e95816c9ceee64e220b499f3e66710f4f4da01a5487e6/Screenshot-2021-11-06-at-18.36.39.png" data-mid="132092084" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/6fe0f07cb0869812542e95816c9ceee64e220b499f3e66710f4f4da01a5487e6/Screenshot-2021-11-06-at-18.36.39.png" /><img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/2a44c93cfb03cbd6c7c3a75375872900e751ceaf1627526d00ccde496b45b88f/Screenshot-2021-11-06-at-19.23.42.png" data-mid="132092713" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/2a44c93cfb03cbd6c7c3a75375872900e751ceaf1627526d00ccde496b45b88f/Screenshot-2021-11-06-at-19.23.42.png" />My question from the group is : - Is there anything you need to know or any concerns that you have in relation to this proposal? - Might you have an extra bike that we could use? - What would Mahrokh need to enter Toni, in case we are working there? Her vaccination certificate will most probably not be accepted so she will have to do the PCRtest at the entrance. I also gave her my student card which I think would be useless since it has my photo on it. That's it for now. Thank you for reading this and looking forward to hearing from you and to the whole 3 days ahead of us. Kisses from Tehran 💟 Day 13.<img width="2078" height="590" width_o="2078" height_o="590" data-src="https://freight.cargo.site/t/original/i/722a91df534842812164acf60d0f76cb94eb7e55d21a0c923ac26fdb5cd9328d/Screenshot-2022-02-01-at-10.46.53.png" data-mid="132092034" border="0" src="https://freight.cargo.site/w/1000/i/722a91df534842812164acf60d0f76cb94eb7e55d21a0c923ac26fdb5cd9328d/Screenshot-2022-02-01-at-10.46.53.png" />She “had to chose” to go there to run away from very difficult family set up which got exacerbated after the economical war that US and Iran started intensely in the past decade.Day 26. How can/should I talk about those bodies that join/host me? avatar geo-economical medium collaborator co-existing buddy/body host parallaxed (i)/subjectivity <img src="https://lh3.googleusercontent.com/S4ivKZ7vR0qk5wYUy7K601QZPZ24NKQEQHXL153HRV-_EI5l0GmGFfFJuodG58zDk-uDF4XzMmmYBqRmaTiR17ucBcLo18QbDTGoAoidiys99W6ek4Y7M17gwQfVZ-yjPiPeV4Q0" width="108" height="108" style="width: 108px; height: 108px;">Day 20. This idea that the absence of one thing is the presence of the other and&nbsp; the entanglement of presence with the medium that it is perceived in and all the interruptions and glitches on the way, is a part of the parallaxed presence that I am experiencing. What i called so far an “avatar/medium/host/..” relates to terms such as “reciprocal construction” or “co-construction” or “trans-corporeality”*. Reciprocity, Transness and Co(as common) are notions (i) would learn more about in order to see how (i) can use “WE” as a pronoun that is not erasing or silencing some parts of its own “identity”. Dynamism and instability that is assigned to the mesh of entangled corporealities, is central to the parallaxed vision that I am talking about. Frames, lenses and cameras on wheels, is an attempt to keep the image ephemeral and temporal where its temporal absence can be translated as yet a presence of another image, underneath or above. Acknowledging the presence of violence and understanding the right to opacity is also crucial for the development of this practice. <img src="https://lh3.googleusercontent.com/abq3lbrwO0TKUGjoxidiKMHI-ra-Xz0Ovu39HX6Dtea5xgWRE-iOqjTv3c4OSQMNU_bTFg_p77lkWvD2et5riCfNs0jRR4MiYdsOV7qifSggSEZweA9MB4es_U5h_prqBhzoZFrg" width="619" height="328" style="width: 479.039px; height: 253.836px;" data-scale="54"> https://setarehfatehi.com/i-not-answered Thu, 13 Jan 2022 06:05:07 +0000 ستاره https://setarehfatehi.com/i-not-answered (i) not answered&nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; 2021 screenshot telling &nbsp; <img width="1080" height="2340" width_o="1080" height_o="2340" data-src="https://freight.cargo.site/t/original/i/f60b72fd09801e3b2a7af22b48823c7eef30aeb60f6608e636fc9e8091da9ed5/Screenshot_2022-01-09-18-18-01-439_com.whatsapp.jpg" data-mid="131378176" border="0" data-scale="20" 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src="https://freight.cargo.site/w/1000/i/639fc084a9c6ddad9046c56d1a3541d53014e092cfe1f88d55cd836afa84892f/Screenshot_2023-05-13-21-31-49-433_com.whatsapp.jpg" /><img width="1080" height="2340" width_o="1080" height_o="2340" data-src="https://freight.cargo.site/t/original/i/319d2ae658ffd590a75170ef3d1bb6f33e2840069059e932af733d3d1ef70041/Screenshot_2023-06-21-00-40-33-090_com.whatsapp.jpg" data-mid="214115249" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/319d2ae658ffd590a75170ef3d1bb6f33e2840069059e932af733d3d1ef70041/Screenshot_2023-06-21-00-40-33-090_com.whatsapp.jpg" /> https://setarehfatehi.com/i-a-diasporic-parallax Wed, 12 Jan 2022 08:47:59 +0000 ستاره https://setarehfatehi.com/i-a-diasporic-parallax (i) a diasporic parallax with Kamran Behrouz 2021 at IUAES (International Union of Anthropological and Ethnological Sciences) conference on The Re-invention of Traditions in the Middle East in cooperation with Orient Institut of Istanbul. <img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/5e6a4bde61ec4ada28c84af6b941bab6f57afe3c308d55f3a215dc814d8d3bdb/Screenshot-2021-08-08-at-16.05.23.png" data-mid="131383581" border="0" src="https://freight.cargo.site/w/1000/i/5e6a4bde61ec4ada28c84af6b941bab6f57afe3c308d55f3a215dc814d8d3bdb/Screenshot-2021-08-08-at-16.05.23.png" />(i) always stumble on the word “middle east” cause our brain can't process what exactly this term means? Middle of which [...] east? Do we mean the territory of centuries of neo-colonial consumption, where the notion of diaspora and diasporic bodies emerged as a daily narrative? What does it mean for our future bodies to keep being identified with such a vague and unlocatable yet tangible territory? (i), kamran behrouz and setareh fatehi, are living in our diasporic bodies, in different locations while coming from the so called “middle east”. In our current research (i) are busy creating an avatar called kl!tar as a mutual third body, which functions as a symbiosis of our virtual bodies: a re-imagined co-living space that exists within and beyond our individual experiences. The diasporic nature of our so-called “middle eastern” body makes the daily practice of virtual connection inevitable. For (i), virtual works as a new form of imaginary, that can transform relations into culture, which includes the transformation of identities as well. &nbsp; For this conference (i) is proposing the format of a lecture performance to immerse into two parallel narratives that joins our, setareh and kamran’s, notion of our diasporic body: Setareh elaborates on a trans-local body that looks critically at the hegemony of corporeal presence and practices parallax as an ability to see (and imagine) two or more images at once, a feeling of absence which can suggest the possibility of the multiplicity of presences in the room. While Kamran connects this re-imagined co-living space to the body of “Breathe” (an avatar/interviewer as part of their PhD project) in order to shed a light on the effects of language in formation of diasporic queer bodies. How do these bodies locate themselves within a diasporic language that does not accommodate them in the first place? link :&nbsp;https://vimeo.com/584369954&nbsp; https://setarehfatehi.com/TAMASHA Wed, 12 Jan 2022 08:48:00 +0000 ستاره https://setarehfatehi.com/TAMASHA TAMASHA/Landing into smooth surfaces with Katerina Bakatsaki Content (concept and week to week outline): In this workshop we work with the concept of TAMASHA (which is a Farsi word forwondering, walking and gazing at/in a view) as a choreographic practice. This way of seeingrequires moving and framing in itself as a way to receive images in a temporal frame andimagine the parts that are constantly left out of that frame. We will be working with the idea of mobility and migration and the co-living bodies that aretravelling between different emo-socio-economical contexts. Walking assignments outside, sharing time and dancing with g(ue/ho)sts and hands on physicalwork are the core activities that we will be engaging with. Parallax as an ability to see (andimagine) two or more images at once, a feeling of absence which can suggest the possibility ofthe multiplicity of presences in the room is one of the tools that we will be using to explore thespecific and non-specific relation of on&amp;off-line spaces and bodies to their surroundings.We will address the notion of what is being viewed as “surface” and “smooth space”. Seeing, asa ‘tactile’, or rather ‘haptic’ experience, as distinguished from a strictly optical one. Skin as surface.Space as skin.Screens as space. Objectives and assessment criteria: The participants will be able to: - Link research into gaze with development of choreographic practice- Analyse the problematics of looking at and being looked at in a performative and socialset up.- See the potentials of cohabiting with on &amp; off-line bodies and live images and questiontheir ethics and aesthetics.- Reflect on different forms of togetherness and practice hosting different forms ofpresence. Literature, websites, background: Parallax, N.S.HaghighianSeeing Studies, N.S.Haghighian _ A.SepahvandSecret Teachings In Art Of Japanese Gardens. David A. SlawsonCorridor of Space China, Modernists, and the Cybernetic Century. J. KrikkeBuzjani geometry, Abu al-Wafa' BuzjaniThe Tactile Eye. Jennifer M. BarkerOn touching, Karen BaradGlitch-feminism, Legacy RussellQueer phenomenology orientations objects others, Sara Ahmed <img src="https://fonts.gstatic.com/s/e/notoemoji/14.0/1f40c/72.png" data-scale="79"><img src="https://fonts.gstatic.com/s/e/notoemoji/14.0/1f40a/72.png" data-scale="79"><img src="https://fonts.gstatic.com/s/e/notoemoji/14.0/1f980/72.png" data-scale="79"><img src="https://fonts.gstatic.com/s/e/notoemoji/14.0/1f41a/72.png" data-scale="79"> 2021 a workshop one week workshop (5 days, 5.5 hrs pDay) for 5-10 participants + their guests at home <img width="1946" height="1344" width_o="1946" height_o="1344" data-src="https://freight.cargo.site/t/original/i/81c0258dd1f47b52e57d93fbcbd2c80e0a1672e4930909f6409602ea2c2f2961/Screenshot-2022-02-01-at-19.12.44.png" data-mid="132131335" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/81c0258dd1f47b52e57d93fbcbd2c80e0a1672e4930909f6409602ea2c2f2961/Screenshot-2022-02-01-at-19.12.44.png" /><img width="1884" height="1090" width_o="1884" height_o="1090" data-src="https://freight.cargo.site/t/original/i/1a66f6f494858b6467f672f261bdc01b7c507e1eb0eaf53d19cddc5772e1ebf4/Screenshot-2022-02-01-at-19.16.16.png" data-mid="132131457" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1a66f6f494858b6467f672f261bdc01b7c507e1eb0eaf53d19cddc5772e1ebf4/Screenshot-2022-02-01-at-19.16.16.png" /> Inviting a guest As part of working with the concept of TAMASHA (a Farsi word for wondering, walking and gazing at/in a view), we (Katerina and Setareh) want to welcome the gaze of the g(eu/ho)sts that can not be in-person in the studio with us. To share time while the space is not sharable. Frames, lenses, screens and cables will be our companions.Hosting, hostage, hospitality, migrations and co-living bodies will be concepts that we wish to touch. So, This is an invitation for you to invite one person from afar, who you care for and who cares for you and for what you do (at school)&nbsp; &nbsp; &nbsp;&nbsp;who would be interested / curious to participate, under your hospitalitywhose context and daily conditions you know well of together with your guest you are invited to curate and negotiate the when, why and how of their presence.When: together you can choose when they will be present or notWhy: your and their motivations may differ, and therefore needs tooHow: through which devices you/they would like to be connected The activities they will be welcome to engage with are: dancing (miss/ interpretations welcome) in 809 and in our rooms working with simple shared assignments that include (walking in) public spacereading and talkingWe will work from Monday till Thursday (14-17th of June) between 10:00 and 17:00 hr, with a few hours only accessible for sndo students (no guests) which we will inform you later about. In the time accessible to all, together with your guest, you can choose when they will be present or not. Having guests will enrich y/our experience but it’s up to you to take it on or leave it out.If you have any questions please contact us on paadarhavaa@gmail.com <img src="https://fonts.gstatic.com/s/e/notoemoji/14.0/1f49f/72.png">